Grant Stevens is an Australian artist currently based in Sydney. Working predominantly with video, as well as photography, sculpture and installation, his art practice explores how the verbal and non-verbal languages of popular screen culture interface with contemporary subjectivity. He has held numerous solo exhibitions in Australia, as well as in New Zealand, Italy and the United States. His work has also been exhibited in many group shows at publicly funded museums and contemporary art spaces, nationally and internationally. In 2007, Stevens received his PhD from the Queensland University of Technology, and has subsequently held a number of academic positions. He is currently a Lecturer at UNSW Art & Design, and his work is represented by Sullivan + Strumpf, Sydney, and Starkwhite, Auckland.
Lives and works in Sydney
PhD, Queensland University of Technology, Brisbane, 2007
Bachelor of Fine Arts (Honours) (First Class), QUT, Brisbane, 2002
What You Seek Is Seeking You, Sullivan + Strumpf, Sydney
Dark Mess, Boxcopy, Brisbane
What We Had Was Real, City Gallery Wellington, Wellington
Hold Together, Fall Apart, Starkwhite, Auckland
Supermassive, Screen Space, Melbourne
Supermassive, LA Louver, Venice, California
Tranquility Falls, Gallery Barry Keldoulis, Angel Place, Sydney
Seriously, Relax, Gallery Barry Keldoulis, Sydney
Burst, PICA, Perth
Horizons, Gallery Barry Keldoulis, Sydney
Wobbly, Gallery Barry Keldoulis, Sydney
Fazed, Starkwhite, Auckland
No Bad Days, Institute of Modern Art, Brisbane
Really Really, Centre for Contemporary Photography, Melbourne
Education, Education, Gallery Barry Keldoulis, Sydney
Cliché and Collusion: Video Works by Grant Stevens, Museum of Art, Brigham Young University, Provo, Utah
Going Steady, Starkwhite, Auckland
The Switch, Il Ponte Contemporanea, Rome
New Ideas for Cake, The Block, Brisbane
Cut to the Cheese: Selected Works, Museum of Brisbane, Brisbane
The Switch, Lismore Regional Gallery, Lismore
I Like Ike, Gallery Barry Keldoulis, Sydney
When There’s Love, Metro Arts, Brisbane
Like Two Ships, Kings ARI, Melbourne
Some Want It All, Gallery Barry Keldoulis, Sydney
Dazed and Praised, Pestorius Sweeney House, Brisbane
Selected Group Exhibitions
GOMA Q: Contemporary Queensland Art, QAGOMA, Brisbane
In Motion, Starkwhite, Auckland
My Feet Would Hurt If They Still Existed, Alaska Projects, Sydney (curated by Finn Marchant and Nicholas Shearer)
Striking Contrasts, touring exhibition, various venues including Bathurst Regional Gallery, NSW, Hazelhurst Regional Gallery and Arts Centre, NSW, Grafton Regional Gallery, NSW (curated by dLux Media Arts)
The Wandering: Moving Images from the MCA Collection, touring exhibition, various venues including Cairns Regional Gallery, Qld, Artspace Mackay, Qld, Drill Hall Gallery, Australian National University, ACT, Wollongong City Gallery, NSW
It’s Timely, Blacktown Arts Centre, Sydney (catalogue) (curated by Paul Howard and Gary Carsley)
Bazinga!, Starkwhite, Auckland (curated by Robert Leonard)
Desire Lines, Australian Centre for Contemporary Art, Melbourne (curated by Juliana Engberg)
Speak to Me, Experimenta 5th International Biennial of Media Art, RMIT Gallery, Melbourne (curated by Abigail Moncrieff)
Greatest Hits Volume 3, Institute of Modern Art, Brisbane (curated by Anna Zammit)
National Artists’ Self-Portrait Prize, University of Queensland Art Museum, Brisbane
The New Arcadia, Lismore Regional Gallery, Lismore
VideoRow, The Torrence Art Museum, Los Angeles, California
Let the Healing Begin, Institute of Modern Art, Brisbane (curated by Robert Leonard)
Big Tree Foot, J & Z Gallery, Shenzhen, China
City of Hobart Art Prize, Tasmanian Museum and Art Gallery
Speaking in Tongues, Nature Morte Berlin, Germany
The more you ignore me, the closer I get, University of Queensland Art Museum, Brisbane
Word, Anna Schwartz Gallery, Sydney
Some Text Missing, CAST, Hobart (curated by Sarah Jones)
Total Nowhere Emotion Expansion, Brisbane Festival (curated by Vivian Ziherl)
Ornament is a Crime, Gallery 1927, Los Angeles
The Dating Show, IMA @ TCB, Brisbane (curated by Robert Leonard)
Typecast, Sophie Gannon Gallery, Melbourne (curated by Marilyn & Sons)
Artisti, Il Ponte Contemporanea, Rome
The Leisure Class, the Australian Cinematheque, Queensland Art Gallery/Gallery of Modern Art, Brisbane
Bad Brains, a little blah blah, Ho Chi Minh City, Vietnam
New Deities: Art and the Cult of Celebrity, Devonport Regional Gallery, Devonport, Plimsoll Gallery, Hobart
Anne Landa Award, Art Gallery of New South Wales, Sydney
Man/Trouble, Downtown Art Space, Adelaide
Like Two Ships, Elastic residence, London
Prime 2005: New Art From Queensland, Queensland Art Gallery, Brisbane
2004: Australian Culture Now, National Gallery of Victoria, Melbourne (catalogue)
Octopus 5, Gertrude Contemporary Art Spaces, Melbourne (curated by Nicholas Chambers) (catalogue)
Zeitgeist, Australian Centre of Photography, Sydney
Gravity, MAAP Festival, Singapore Art Museum, Singapore (catalogue)
Selected Screenings and Commissions
Public Art Screens, i/o/lab, Stavanger, Norway
MAF Video, Melbourne Art Fair, Melbourne
Video Contemporary, Sydney Contemporary, Sydney
Mingling, Museum of Contemporary Art Australia, Sydney
Kick Off, Metricon Stadium, Gold Coast
Move Primary, Art In Motion, Kaldor Public Art Projects
Next Wave Time Lapse, Federation Square’s Big Screen, Melbourne
New Work Grant, Australia Council for the Arts
City of Hobart Art Prize, Highly Commended for Tranquility Falls
Skills and Arts Development Grant, Australia Council for the Arts
The International Art Residency, OCAT Contemporary Art Terminal, He Xiangning Art Museum, Shenzhen, China
The John Coburn Emerging Artist Award, 58th Blake Prize, National Art School, Sydney
New Work Grant, Australia Council for the Arts
Spirit of Youth Award (SOYA), Qantas
RIPE: Art & Australia/ANZ Private Bank Contemporary Art Award
Los Angeles Studio Residency, Australia Council for the Arts
The Artworkers Award, Artworkers Alliance, Queensland
Reid, Melinda. Oblivion, rainforests, and happiness. Exhibition catalogue, Boxcopy, Brisbane, 2015.
Letourneau, Luke. “The Hanging: My Feet Would Hurt If They Still Existed”. In FBI Radio. 4 December, 2015.
Hurrell, John. “The Pleasures of Movement”. In Eyecontact. 22 July, 2015.
Arozqueta, Claudia. “In Motion”. In Art Agenda. 29 July, 2015.
Tappenden, Alice. “Grant Stevens in Wellington”. In Eyecontact. 9 August, 2014.
Cardy, Tom. “When words collide”. In The Dominion Post, Wellington review Tuesday 1 July, 2014.
McNamara, T.J. “The inadequacies of language”. In NZ Herald. Saturday 19 July, 2014.
Hurrell, John. “Grant Stevens in Auckland”, Eyecontact. 16 July, 2014.
Webb, Penny. “Tapping the heart of glass.” In The Age, Friday 20 June, 2014, p.30.
Frost, Andrew. “It’s Timely review: Australia’s long lost radicalism revisited”. In The Guardian, Friday 2 May, 2014.
Gibb, Susan. “We Used to Talk About Love: Balnaves Contemporary Photomedia”. In Eyeline, Issue 80, 2014, pp.96-97.
Ferrell, Robyn. “Between Cliché and Rapture, We Used to Talk About Love: Balnaves Contemporary Photomedia”. In Eyeline, Issue 80, 2014, p.97.
Pagel, David. “A serene state of mind in orbit”. In The Los Angeles Times, February 6, 2013.
Mudie, Ella. “Love might not come easily to art, but…” in RealTime Arts, Issue 114.
Jaspers, Anneke, “Grant Stevens” in We Used to Talk About Love, ex cat., Art Gallery of New South Wales, Sydney, pp.124-125.
Bullock, Natasha, “We Used to Talk About Love – and Photography” in We Used to Talk About Love, ex cat., Art Gallery of New South Wales, Sydney, pp.9-35.
Hurrell, John,”Life’s Universal (Hackneyed?) Dilemmas”, Eyecontact.
Millner, Jacqueline, Grant Stevens: Seriously, Relax. ex. cat. Gallery Barry Keldoulis, Sydney.
Kraus, Chris. “Turtles, Torture and Vapour”, in Grant Stevens: Are You Upset With Me?, Institute of Modern Art and Gallery Barry Keldoulis: Brisbane and Sydney, pp. 83-87.
Pennings, Mark. “Cliches, Communication and the Meaning of Existence”, in Grant Stevens: Are You Upset With Me?, Institute of Modern Art and Gallery Barry Keldoulis: Brisbane and Sydney, pp. 7-13.
Kent, Rachel, MCA Collection: New Acquisitions 2009, ex. cat., Museum of Contemporary Art, Sydney.
Harvey, Nicola, “Word”, Frieze (online), August 2009.
Hurrell, John, “The Edges of Sincerity”, Eyecontact, August, 2009.
Garner, Nick, “Grant Stevens: Interview”, Das Superpaper, Issue 4, March 2009, pp.7-10.
Kelly, Sean. “Some Text Missing”, Artlink, vol. 29, no. 4, 2009.
Hogg, Vivian, “Grant Stevens: In conversation”, Eyeline, Issue 67, 2008, pp.16-24.
Frost, Andrew, “Warning: this artist is messing with your head”, Australian Art Collector, Issue 44, April-June 2008, pp. 108–113.
Fitzgerald, Michael, “RIPE: ANZ Private Bank and Art & Australia Contemporary Art Award”, Art & Australia, Vol 45, No.3 Autumn 2008 p. 496.
Oliva, Achille Bonito, (2008) Artisti Solitari - Uno Sguardo dal Ponte sul Terzo Millenio, Silvana Editori, Rome, Italy.